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eddie wrote:Sadly it will also make a lot of people here happy.
Passing_Stranger wrote:It's a pity, of course, when good things end, but I feel, first of all, that he called all this suffering on himself, being an arrogant sort and clearly thinking he'll be able to beat the system. Well, that ended as usual. Then, for all the praise, there's not much in his catalogue that's very interesting, very popular or very rare. Oingo Boingo, Divinyls, Missing Persons, Altered Images, Split Enz, "Total Devo", Ultravox's "Three into one", "Pretty in pink" 7", Suzanne Vega (?!) - wow, just what the world needed (not). Some of others, like Eyeless in Gaza, were re-released so often there's no shortage of offer on the market. Wasn't it more productive to search for less represented performers? Especially there was no need to get bogged down with all this vinyl nonsense, coloured or not - a fad that's too overhyped for anyone's good. Finally, I wasn't always that enamoured with his remastering efforts - something rubbed me the wrong way on more than one occasion, it wasn't always clear his decisions were better than what was on offer all these years before.
Anyway, with all the drama that surrounded his effort and his conduct over the years, I'm surprised he was still at it until very recently. Probably shouldn't have started the project with stuff like "Black Mass" or "Electronic Musical Impressions Of The Occult" - that's not a good omen in the best of times.
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