[quote][i]Originally posted by i_like_lectric_motors[/i]
<br>[quote][i]Originally posted by suttonrecords[/i]
<br>[quote][i]Originally posted by i_like_lectric_motors[/i]
<br>[quote][i]Originally posted by Blir[/i]
I dunno, what do people think? Has there been a bit of unwarranted sniping to make the XB102ers more defensive or is there a more proclamatory attitude from them in general? Just asking, food for thought, yada yada yada...
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Sniping? Yes. Unwarranted? Definitely not. Half the stuff they claim is new wave isn't even new wave even by the broadest of definitions. Xmal Deutschland? You gotta be kidding me. If they want to hold themselves up as some sort of experts on something, maybe they should learn a little about the subject first. I'll start with the first lesson: Xmal Deutschland was goth.
I firmly believe that what you had was a small country with one major radio station that everyone listened to and that is why you hear the same old bands listed by all of them. Kind of like if you lived in Bumfuck, Arkansas with a population of 112 and one gas station. If Billy Joe and Jim Bob at the local Shell swore to you that Kendall motor oil would keep your Ford pickup truck running longer and you just bought into it without ever trying anything else, how could you possibly know any better? It's just a lack of exposure. Instead of recognizing and admitting that, they get defensive and link it to some misguided form of local pride.
You mentioned Australia and Italy. The difference there is that those countries have actually contributed something to the worldwide scene. Yet you still don't get the same superior attitude from anyone from those countries. Wonder why?
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For somebody accusing an entire population of fans for not doing their homework, you excel at making sweeping generalizations. Comparing us to backwoods hicks is a derogatory and racist statement that I am startled to see here. At least that's how I interpret it. You can't expect everybody to share your personal view of what New Wave is and isn't. As for Philippine artists not contributing to the worldwide scene, tell that to proud Filipino guitarist Joey Santiago of the legendary Pixies. And, besides, whose fault is it for the Philippines not being recognized for its own New Wave artists, brilliant musicians such as the Dawn, the Identity Crisis, Dean's December, etc? U.S. record labels viewed the country in the same narrow-minded fashion that you do.
Most of the New Wave artists that are discussed on this board we heard in the Philippines on three different New Wave radio stations. I don't know what "lack of exposure" to the genre that you are talking about. To us fans, we lived and breathed it - and still do. I'm sure many of you are the same in that regard; otherwise, why would you be here?
I don't think any of us are calling ourselves superior. Everybody is learning something new on this board every day.
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Mike, I am extremely sorry if you interpreted my remarks as being racist. I honestly didn't think they would be perceived that way, but since they were, you have my apologies. I could care less what race (or more appropriately, nationality) a person is. What pissed me off is the superior attitude exhibited by yourself and other listeners of XB-102, Wonder Station (one of whom I am told is not even a Pinoy). I could go through old posts and dig up plenty of sniping little comments made by you and directed at the U.S. Does that make you a racist? Of course not. But it makes you seem smug and condescending to more than a few people on this board, a fact that has been communicated to me in private e-mail by a few NWO'ers. That's why I posted what I did. I had kept quiet (which for me is a monumental struggle [:D]) out of respect for Rubbeet, but things being as they are now, I saw no reason to keep holding back. If you have ever read anything else on this board, you will realize that I am the last person to defend Americans and the last person to ever think the U.S. is anything special or better than anyone else. I'd even go as far as to say I'm embarassed to live here, given the events of the past few years. Maybe it's because I hate all the pro-U.S. jingoistic bullshit so much that I also hate similar attitudes when I see them coming from other nationalities. And that's the way I feel when I read some of those shots that are taken at U.S. audiences. That's how your remarks are interpreted, whether you mean them that way or not.
To answer your other question: Yes, it is just as annoying when it's KROQ, WLIR, whoever the hell Malibu Sue is, etc...
Again ... my apologies for coming across so harshly.
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Well, I've never chastised any particular member for their tastes, unlike some of you have done. Have I been critical of the way American radio stations and speciality shows do their programming? Yes, of course. However, I always explain my reasons. For example, I don't think the "Retro Active" channel on Music Choice is adventurous enough. Cyndi Lauper, the Red Hot Chili Peppers, and Wham! do not belong on the station, and it's symbolic of the type of so-called New Wave programming I have been seeing in the U.S. since I returned in 1987. There is a discussion about the Fall in another thread. On XB-102, they played numerous cuts from the Fall including "C.R.E.E.P." (an '80s anthem over there), "Living Too Late," "Cruiser's Creek," etc, on regular rotation. I even burned out on "Living Too Late" for a while from hearing it so much. I turn on "Retro Active" and I'm lucky to hear "Victoria" once in a while. That's it; there's no other Fall track on the playlist. Instead, they play Corey Hart's "Sunglasses at Night" on a daily basis. Wouldn't any hardcore New Wave fan believe that something is wrong?
I have nothing against New Wave fans in the U.S. It's not their fault that there's a streak of conservatism in how New Wave is generally presented on radio here and especially on compilation CDs. In my opinion, it's too mainstream. On KNDD-FM, they actually spin Los Lobos on their New Wave flashback shows. Say what you will about the Colourfield, but there's no way you can interpret "La Bamba" as a New Wave tune. And I ask: Where are the Chameleons? Eyeless in Gaza? The Comsat Angels? Why are they playing Tommy Tutone's "867-5309 (Jenny)" but not Zerra One or Cactus World News? Or Care?
One of the new DJs on XB's Internet revival, the Sandman, is an American and was raised in the Pacific Northwest with no Philippine roots whatsoever. He, too, is irritated by how New Wave music is generally programmed here. He used to spin Dole's "Slumberland" on college radio, and I told him that was a staple on Manila radio.
There's a difference between "superior attitude" and raw passion. Those who grew up on XB-102 are proud of their roots. We heard it all -- X-Ray Spex, the Dead Kennedys, Joy Division, the Specials, Friends Again, Blue Zoo, Private Lives, Clan of Xymox, Fuzzbox, the list is endless. DJs were allowed to play whatever they wanted provided that the records fit into their format. I have a number of airchecks from XB during the '80s, and they'll never stop blowing me away. XB is back on the Internet now, and it's the same rule: Surprise me. I have no idea what Mick Flame, Cool Carla, or the Sandman will be spinning. No restrictions except to limit the coverage between '76-'91.
In the past, I have given praise to U.S.-based "Flashback Alternatives" (a vast, comprehensive playlist) and Pat Wolfe of KDHX-FM on this MB. Both Ed Fishman and Wolfe have done a tremendous job of pleasing the most die-hard of fans.
Yet, again, it really goes back to where you came from. I have no nostalgic affection for Greg Kihn's "Jeopardy." It wasn't until 2002 that I heard it for the first time. I'm sure there are folks who have memories stirred by it when it plays on "Retro Active." I'm not one of them. All I can think of is that they could've used that airspace for the Adventures' "Send My Heart."
Michael Sutton
CEO/Sutton Records
http://www.suttonrecords.com