I had to post this as a separate thread, because there was one act at this year's SXSW festival that far exceeded all expectations - Devo! I went in just looking for a good show and hoping they wouldn't put on a pastiche of new wave cliche's. What we got were absolutely brilliant reimaginings of their visuals and a thoroughly modern and thumping update of their sound. Yet it was all completely true to classic classic classic freaking Devo as well. The stage show was a Kraftwerk-esque tour de force. I am not exaggerating one bit, and I wouldn't be surprised if they had indeed consulted with their old collaborators.
Musically, they played absolutely no filler whatsoever and covered just about every single classic you could have wanted from "Satisfaction" to "Beautiful World" and gratifyingly stuck mostly to their first couple of LPs. I just about crapped my pants when it appeared they'd end their set with "Gates of Steel". I would have been totally happy if they played nothing else, but their encore blew me away even more. Coop and I were there with a group of four acquaintances that were more of the electro-rave type crowd...but they were just left agape at the awesomeness of the Devo show! The setlist:
Main Set:
“Don’t Shoot, I’m A Man” (new)
“Peek-A-Boo”
“What We Do” (new)
“Going Under”
“Fresh” (new)
“That’s Good”
“Girl U Want”
“Whip It”
“Secret Agent Man”
“(I Can’t Get No) Satisfaction”
“Uncontrollable Urge”
“Mongoloid”
“Smart Patrol”/”Mr. DNA”
“Gates Of Steel”
Encore:
“Devo Corporate Anthem”
“Freedom Of Choice”
“Jocko Homo”
“Gut Feeling”
“Beautiful World”
Some pictures below. They started offstage with a video montage of old clips as the audience anticipation built and built. They came on to a new song "Don't Shoot Me, I'm a Man", which was oddly very classic devo. Great visuals on their giant LED panel throughout the show, starting with caricatured human silhouettes de-evolving back to monkeys and later urban jungle type street scenes:
<img src="http://www.pbase.com/myirwin/image/110504765.jpg">
They did a quick costume change for "Whip It", a necessary nod I suppose to their big commercial hit, but I'm glad they got that out of the way fairly early. They flung their hats into the audience afterwards, and they seemed to travel unnaturally far. Obviously some sort of supernatural ziggurat power at work:
<img src="http://www.pbase.com/myirwin/image/110504769.jpg">
I thought the end of the main set had a more disquieting, de-evolutionary tone. It wasn't overtly so, but it had just a subtly darker and dissonant edge to it. Think classic Devo subversion with a dash of David Lynch for good measure:
<img src="http://www.pbase.com/myirwin/image/110504772.jpg">
That's also when they really poured it on with the visuals, a lot of it rebroadcasting themselves from a bunch of tiny cameras set around the stage. Lots of disorienting angles and unflattering closeups - really cool:
<img src="http://www.pbase.com/myirwin/image/110504774.jpg">
Lots of homage to the geekedness of the keyboard as well:
<img src="http://www.pbase.com/myirwin/image/110504776.jpg">
During their break, they broadcast this classic old Devo image while the crowd went nuts for them to come back. Encores are very rare for SXSW, but this gig was very special in every way:
<img src="http://www.pbase.com/myirwin/image/110504778.jpg">
They came back in these fairly ridiculous shorts outfits with kneepads. The crowd loved the "Devo Corporate Anthem" and raucously joined in:
<img src="http://www.pbase.com/myirwin/image/110504779.jpg">
The grand finale had Gerald introducing a "rarely-seen guest", Spudboy!:
<img src="http://www.pbase.com/myirwin/image/110504781.jpg">
Mothersbaugh was totally wild in the get-up, and the crowd absolutely freakin' loved both it and the "Beatiful World" finale, which is as dead bang-on relevant today as it was then:
<img src="http://www.pbase.com/myirwin/image/110504782.jpg">
If you get the chance to see this iteration of Devo, I would say not to miss it for anything. [:p][:p][:p]
