[quote][i]Originally posted by beatschool[/i]
Common - used to be extremely homophobic, but was able to evolve. I saw him freak out at a San Francisco concert when he saw two guys kissing. We later had a long discussion via email (a musician that answers his email, cool) talking about the social responsibility of rappers and their lyrics. One of his life-long friends subsequently came out of the closet and then died of AIDS. His friend completely changed Common's views on homosexuality and he has become one of the leading voices for tolerance within the hip hop community.
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Lest anyone forget, Common made #18 on Blender's wussiest artists of all-time. Considering the hip-hop community can be notoriously homophobic, I applaud him:
http://www.blender.com/guide/articles.aspx?ID=1990
[quote][i]Originally posted by hutter[/i]
Not all of it. In it's early years (1979-1983) it often kicked serious ass. But...(calling a spade a spade) it also plagarized serious ass. Funny that the two biggest rap hits of those early days were built on/stolen from disco (Rappers Delight) and electronic pop (Planet Rock). I wonder if Chic and Kraftwerk ever got any financial satisfaction.
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I think it's coming full circle though. The whole hip-hop scene has really influenced electronica over the last decade or so. I mean, listen to bands like Portishead, Massive Attack, Morcheeba, Faithless, the Chemical Brothers, the Prodigy, etc. and you'll hear the same emphasis on samples, percussive beats, and rhythmic lyrics that you hear in hip-hop music.
The problem is that a lot of mainstream rap music consists of bling-bling, hoes, and hyper-masculinized stories about the dog-eat-dog life in the hood. Anytime a rap artist tries to come out with something more meaningful it just sounds a bit...corny to most urban youth. Their loss.
[quote][i]Originally posted by hutter[/i]
A Tribe Called Quest comes to mind.
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"Award Tour" has always been one of my all-time favorite [i]songs[/i].